Hugh U. Gies?
Friday, August 11th, 2006I continue to be increasingly unimpressed by the new releases being smacked out of the dance music genre lately. The new trend seems to be taking a lyrical sample from some ’80s/’90s pop song, repeating it ad nauseum, and forming an entire song around it. So we get:
"Baby, make your move
step across the line
Touch me one more time
come one, dare me"
(repeat x 28)
…from "Make Your Move" by the Pointer Sisters
Also:
"There’ll be some soul shakin’
love makin’, heart breakin’ ohhwuuohhwuu"
(repeat x 35)
…from "Love (Don’t Let Go)" by En Vogue
And the disturbingly paranoia-inducing:
"I always feel like
somebody’s watchin’ me
and I got no privacy"
(repeat x 45 and run)
…from Rockwell’s "Somebody’s Watching Me"
Surely we can do better than this kind of base sampling and cheap technique, folks. Please rememdy posthaste.
The only record in recent memory that executed this effect with considerable success was a deep house track with a crescendoing sparkly melody that sampled:
"I feel good
I feel nice
I’ve never felt so
Satisfied
I’m in love
I’m alive
Intoxicated
Flying high"
…from Mariah Carey’s "Emotions". Played at 4:00, 5:00 am in the club, and perfectly describing the state of mind the clientele is in, that’s the kind of genius simplicity that makes you remember a song, even if you never hear it again.